负心的人插曲 (fù xīn de rén chā qǔ) - 重相逢 (zhòng xiāng féng) "Reunion" is one of the favourites from this movie. Sung by 汤兰花 (tāng lán huā) who became an overnight sensation when the movie was released.
It was believed that the tune was derived from a old Japanese song アリラン•ブルース. 高峰三枝子 (Gāo fēng Sān zhī zǐ - Takamine Mieko (1918 -)) is a female singer covered the original song in about 1940. 服部良一 (fú bù liáng yī) - (Ryoichi Hattori) composed the tune. 周之原 (zhōu zhī yuán) created the lyrics.
There are numerous singers covering the Mandarin version including 高勝(胜)美 (Gāo Shèng měi - Sammi Kao). It was believed that 崔萍 (cuī píng) was the first singer to cover the Mandarin version in the early 1960s. 高勝(胜)美 (Gāo Shèng měi - Sammi Kao) sang 重相逢 (zhòng xiāng féng) from the 探戈名曲專輯 (tàn gē míng qǔ zhuān jí - Tango songs album) in 1987.
彷佛在梦中 (彷彿在夢中) - As if in a dream fǎng fú zài mèng zhōng
其实不是梦 (其實不是夢) - In fact, it is not a dream qí shí bú shì mèng
还记得 (還記得) - Still remember hái jì dé
幼年时光 (幼年時光) - During younger days yòu nián shí guāng
你我樂融融。- You and I are very jolly nǐ wǒ lè róng róng
妳扮公主 - You play the Princess nǐ bàn gōng zhǔ
我做英雄 - I am a hero wǒ zuò yīng xióng
假扮凤与龙 (假扮鳳與龍) - Pretend to be phoenix and dragon jiǎ bàn fèng yǔ lóng
青梅竹马 (青梅竹馬) - green plums and a bamboo horse - a girl and a boy playing innocently together; a man and a woman who had an innocent affection for each other in childhood qīng méi zhú mǎ
情意深浓(情意深濃) - Deep and great emotion qī ng yì shēn nóng
如今都已成空。- Does not exist now rú jīn dōu yǐ chéng kōng
重相逢 - Reunion zhòng xiāng féng
彷佛在梦中 (彷彿在夢中) - As if in a dream fǎng fú zài mèng zhōng
其实不是梦 (其實不是夢) - In fact, it is not a dream qí shí bú shì mèng
多少事 - How many things duō shǎo shì
消逝如风 (消逝如風) - disappear just like the wind xiāo shì rú fēng
追寻也无踪 (追尋也無蹤)。- Search also without a trace zhuī xún yě wú zōng
相对默默 (相對默默) - When met again become quiet xiāng duì mò mò
欲言无从 (欲言無從) - No desire to speak yù yán wú cóng
意在不言中 - The wishes are not in the conversation yì zài bù yán zhōng
兩心相同 - The two hearts have the same feeling liǎng xīn xiāng tóng
With that kind of success, one might think the former child star, now 31 years-old, would give up life in front of the camera and take a permanent seat in a director's chair, but Polley has a mind of her own. She wants both.
She stars in sci-fi horror thriller "Splice," portraying a scientist in a human engineering experiment run amok. It is her first major movie acting role since the success of low-budget Alzheimer's drama "Away From Her." And working on the film was a chance for Polley to take a break and follow someone else's lead, she said, before returning to directing.
"It was great to abdicate (To relinquish power or responsibility) control over everything," she told Reuters in a recent interview.
In "Splice," Polley takes the part of Elsa, who teams with another scientist, played by Adrien Brody, to splice human DNA and create a being that is both human and beast.
Dren possesses some human features but also has hoofs and a tail, and as the movie unfolds, Dren grows other appendages (Biology: A part or organ, such as an arm, leg, tail, or fin, that is joined to the axis or trunk of a body) and shows abilities that inevitably lead to big trouble.
The scientists' dream of creating a superhuman being, as represented by Dren, slowly becomes a nightmare and they have to either contain it or kill it.
"The film explores what would happen if science was totally unregulated and two people could go into a back room and do whatever they wanted," Polley said. "Elsa is almost insane with her vision and ambition, and I'm not like that at all. To play someone who is driven like that was fascinating. She's probably the most interesting character I have ever played as a woman."
Polley began acting in her hometown Toronto, Canada, at the tender age of four. She first appeared in Disney film "One Magic Christmas" and quickly moved on to more prominent roles in films like "The Adventures of Baron Munchausen" and the television series "Road to Avonlea."
Throughout her career, she's worked consistently in both Canadian and U.S. films including Atom Egoyan's "The Sweet Hereafter," Doug Liman's "Go" and the 2004 remake of "Dawn of the Dead."
Though women directors have always been few and far between in Hollywood, Polley knew she wanted to eventually direct. At age 21, she had just finished her first short film when she was cast to star in Oscar-winning director Kathryn Bigelow's "The Weight of Water."
"We had a lot of great conversations about what it meant to be a female filmmaker," recalled Polley. "She gave a lot of advice, was hugely supportive and showed such an active interest in my work. She took the idea of mentorship seriously, which was great for me."
Bigelow, of course, won the most recent Academy Award for directing Iraq war movie, "The Hurt Locker," and Polley is no stranger to critical success with "Away From Her," in which a man watches his wife slip away due to Alzheimer's.
While she lost the adapted screenplay Oscar to Joel and Ethan Coen and "No Country for Old Men," Polley made Canadian history when she was the first woman to win a Genie (Canada's equivalent of the Oscars) for directing "Away From Her."
Though she acknowledges, "symbols are always helpful and good for the next generation of female filmmakers," Polley said awards are not something she ever focused on.
"I'm not ambitious in an overall sense, nor do I feel the need to achieve things," she said. "I guess I feel like you can't ultimately control a career, so why try."
But movies are another matter.
This July, Polley begins shooting her follow-up directorial feature, "Take This Waltz," starring Seth Rogen, Michelle Williams, Sarah Silverman and Luke Kirby. She also wrote the script about what happens when the honeymoon period of a new relationship is over.
